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Earth, air, water, and fire presented at their most grand in Sotatsu's Matsu-shima, Turner's Burning of the Houses of Parliament; Whistler's Nocturne in Black and Gold; Cézanne's Mont Ste. Victoire Seen from Bibemus; and Kokoschka's Bride of the Wind. (50 minutes)



 
    

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Part of the Series : 100 Great Paintings
     


Not available to Home Video, Dealer and Fulfillment Dealer customers. Only available in the US and Canada.




Self-portraits

The artist as his own model represented by Durer's Self-portrait; Rembrandt's Self-portrait as the Apostle Paul; Van Gogh's Self-portrait; Ensor's Self-portrait with Masks; and Vigee-Lebrun's Self-portrait. (50 minutes)(more details)
 
The Language of Color

One of the basic elements in any artist's vocabulary, color is here presented in the personal languages of Poussin's Adoration of the Golden Calf; Vermeer's The Artist in his Studio; Pollock's Autumn Rhythm; Kandinsky's Improvisation 6; and Gauguin's...(more details)
 
The Magic of Light

How an artist sees light is how he sees the world. Light as represented in Magritte's Domain of Light; Zurbaran's Plate of Lemons, Oranges, and Mug; Caravaggio's Supper at Emmaus; Bonnard's Nude Against the Light; and Rothko's Red, Brown, and Black. ...(more details)
 
Cities

Our vision of the world's cities and the lives lived by their inhabitants has been largely shaped by paintings such as El Greco's Toledo; Vermeer's View of Delft; Turner's The Dogana and the Salute; Van Gogh's Outdoor Cafe at Night; and Macke's The H...(more details)
 
Touch

The emotional importance of the tactile sense in providing information about our environment is explored in Duccio's The Blind Man; Tintoretto's Ariadne, Bacchus and Venus; La Tour's The Dream of Joseph; Rembrandt's The Jewish Bride; and Picasso's La...(more details)
 


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