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The emotional importance of the tactile sense in providing information about our environment is explored in Duccio's The Blind Man; Tintoretto's Ariadne, Bacchus and Venus; La Tour's The Dream of Joseph; Rembrandt's The Jewish Bride; and Picasso's La Vie. (50 minutes)



 
    

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Part of the Series : 100 Great Paintings
     


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The Language of Color

One of the basic elements in any artist's vocabulary, color is here presented in the personal languages of Poussin's Adoration of the Golden Calf; Vermeer's The Artist in his Studio; Pollock's Autumn Rhythm; Kandinsky's Improvisation 6; and Gauguin's...(more details)
 
The Magic of Light

How an artist sees light is how he sees the world. Light as represented in Magritte's Domain of Light; Zurbaran's Plate of Lemons, Oranges, and Mug; Caravaggio's Supper at Emmaus; Bonnard's Nude Against the Light; and Rothko's Red, Brown, and Black. ...(more details)
 
War

Whether presented as a celebration of victory or the triumph of humanity over brutality, it is the human drama as played out on the battlefields of history that is represented by Uccello's Rout of San Romano; Altdorfer's The Battle of Issus; Velazque...(more details)
 
The Elements

Earth, air, water, and fire presented at their most grand in Sotatsu's Matsu-shima, Turner's Burning of the Houses of Parliament; Whistler's Nocturne in Black and Gold; Cezanne's Mont Ste. Victoire Seen from Bibemus; and Kokoschka's Bride of the Wind...(more details)
 
Love

From domestic harmony to erotic mystery, love as interpreted by Ernst's The Robing of the Bride; Correggio's Leda and the Swan; Poussin's Venus Spied on by the Shepherds; Gainsborough's Mr. and Mrs. Andrews; and the Kangra miniature Radha and Krishna...(more details)
 


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