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An exploration of man's relationship to the countryside is represented by Averchamp's Large Winter Scene; an Anonymous Clear Weather in the Valley; Renoir's Luncheon of the Boating Party; Seurat's La Grande Jatte; and Eakins' Max Schmitt in a Single Scull. (50 minutes)



 
    

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Part of the Series : 100 Great Paintings
     


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Self-portraits

The artist as his own model represented by Durer's Self-portrait; Rembrandt's Self-portrait as the Apostle Paul; Van Gogh's Self-portrait; Ensor's Self-portrait with Masks; and Vigee-Lebrun's Self-portrait. (50 minutes)(more details)
 
The Language of Color

One of the basic elements in any artist's vocabulary, color is here presented in the personal languages of Poussin's Adoration of the Golden Calf; Vermeer's The Artist in his Studio; Pollock's Autumn Rhythm; Kandinsky's Improvisation 6; and Gauguin's...(more details)
 
The Magic of Light

How an artist sees light is how he sees the world. Light as represented in Magritte's Domain of Light; Zurbaran's Plate of Lemons, Oranges, and Mug; Caravaggio's Supper at Emmaus; Bonnard's Nude Against the Light; and Rothko's Red, Brown, and Black. ...(more details)
 
Gardens

The human need to connect with nature's bounty, and the meanings attached to the garden, are presented in Bellini's The Agony in the Garden; Bosch's Garden of Earthly Delights; Monet's Woman in the Garden; Mondrian's Flowering Apple Tree; and Klee's ...(more details)
 
Grief

One of man's most basic emotions speaks across the barriers of time and culture through Giotto's Lamentation of the Dead Christ; Grunewald's Crucifixion (the Isenheim Altarpiece); El Greco's Burial of the Count of Orgaz; David's The Lictors Bearing t...(more details)
 


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