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Bearing public witness, whether religious, political, or social, is a common thread that connects generation to generation. Here it is represented in Gozzoli's Procession of the Magi; Watteau's The Embarkation for the Island of Cytherea; Canaletto's The Bacino on Ascension Day; Goya's The Burial at Sardine; and Leger's The Wedding. (50 minutes)



 
    

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Part of the Series : 100 Great Paintings
     


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Self-portraits

The artist as his own model represented by Durer's Self-portrait; Rembrandt's Self-portrait as the Apostle Paul; Van Gogh's Self-portrait; Ensor's Self-portrait with Masks; and Vigee-Lebrun's Self-portrait. (50 minutes)(more details)
 
The Magic of Light

How an artist sees light is how he sees the world. Light as represented in Magritte's Domain of Light; Zurbaran's Plate of Lemons, Oranges, and Mug; Caravaggio's Supper at Emmaus; Bonnard's Nude Against the Light; and Rothko's Red, Brown, and Black. ...(more details)
 
Reclining Nude

The icon of human perfection, the reclining nude has become a symbol of femininity as represented in Giorgione's Sleeping Venus; Boucher's Recumbent Nude; Goya's The Naked Maja; Manet's Olympia; and Matisse's Blue Nude. (50 minutes)(more details)
 
Cities

Our vision of the world's cities and the lives lived by their inhabitants has been largely shaped by paintings such as El Greco's Toledo; Vermeer's View of Delft; Turner's The Dogana and the Salute; Van Gogh's Outdoor Cafe at Night; and Macke's The H...(more details)
 
Hunting

The resources of myth, observed everyday life, social and ceremonial life, and the struggle to survive are explored in Bruegel's Hunters in the Snow; Titian's Diana and Callisto; Stubb's The Grosvenor Hunt; Courbet's The Huntsmen's Picnic; and Homer'...(more details)
 


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