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When Béla Bartók fled to New York in 1940, he carried his love of folk melodies to Columbia University, where he became a research fellow studying Serbo-Croatian music. In this timeless program, friends and associates—including Yehudi Menuhin and the late Sir Georg Solti—join Bartók’s sons Peter and Béla, Jr., to reflect on the Hungarian composer’s last five years, in which he wrote the Concerto for Orchestra, one of his greatest compositions. In the words of the English newspaper The Guardian, this documentary is "an oddly affecting portrait of a composer who, they say, rarely smiled and spoke little, but—in the words of Georg Solti—had the aura of a holy man." (76 minutes)



 
    

Item#: This title is currently not available.
Copyright date: ©1989




     


Only available in the US and Canada.




Aaron Copland: A Self-Portrait
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Copland himself is the key explicator of his own extraordinary musical career, from piano lessons in Brooklyn and study with Nadia Boulanger, a fling as a wild-eyed modernist, and finally to his preeminence in the American musical world. The program ...(more details)
 
Olivier Messiaen: The Music of Faith
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Olivier Messiaen played a leading role in the evolution of 20th-century music. In this classic interview, the late composer talks on topics such as his love of nature and his fervent Christian faith, two themes that profoundly shaped his work; his vi...(more details)
 
Prokofiev: The Prodigal Son

Here is a breathtaking portrait of one of the 20th century's musical giants, a man who sought to stand aloof from the turbulent events of his time only to be swallowed up and crushed by them. The program offers superb performances of judicious select...(more details)
 
Fanfare for America: The Composer Aaron Copland
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Impressed with how European music could have a "German sound," a "French sound," and so on, Aaron Copland returned from his years in Paris to New York City, intent on capturing the essence of the "American sound." This documentary presents an artful ...(more details)
 
Richard Strauss: Between Romanticism and Resignation

"It is a sad time when an artist of my standing has to ask a minister's lackey what he may compose or have performed," said Richard Strauss. An anti-Nazi at heart, he dared to collaborate with a Jewish composer and librettist, yet still composed the ...(more details)
 


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