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This program looks at the results achieved when photographers were commissioned to reflect the world or certain aspects of it. It focuses on the Farm Security Administration (whose archives are held by the Library of Congress, Washington) which set out to document America in the 1930s. The program also visits the Canadian Centre for Architecture, Montreal, where photography forms an integral part of the collection; Chris Killip, winner of the 1989 Cartier-Bresson Award, who was commissioned to make a photographic record of a new Pirelli Tire factory in Ohio; and Clement Cooper, seen photographing the area in industrial northern England where he grew up. (26 minutes)



 
                

Item#: This title is currently not available.
Copyright date: ©1989



Part of the Series : Images: 150 Years of Photography
     


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The Magic Mirror
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Using only the words of some of the great photographers, this program seeks to trace "the life-line of the species" (in the words of John Szarkowski of the Museum of Modern Art, New York). Selecting their own favorite photos from contemporary works b...(more details)
 
The Pencil of Nature
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The wonderful invention of Daguerre and Fox Talbot fascinated the Victorians as a new art form and a new way of looking at the world. This program follows the technical and esthetic strides made by the early, often amateur, practitioners. Material is...(more details)
 
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The Best or Nothing

The private collector of photography has emerged relatively recently. Photographs have become objects to be traded through auction rooms; as their value increases, so does their status as art. This program examines the passions of the private collect...(more details)
 


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