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This is a performance of the Messiah in the original scoring, performed as Handel intended it, with much smaller resources than we have become accustomed to and, therefore, a perfect balance between a small chorus and orchestra. Roger Norrington conducts the London Baroque Players (comprising leading specialists in 17th- and 18th-century instrumental practice), the Cardiff (Wales) Polyphonic Choir, and soloists Norma Burrowes, Helen Watts, Robert Tear, and Willard White. (114 minutes)



 
                    

Item#: This title is currently not available.
Copyright date: ©1982




     


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Johann Sebastian Bach: Masterpieces to Order

This program follows Bach's life in Leipzig, showing the hard-pressed and much-harried father, teacher, and civil servant turning out masterpiece after masterpiece on demand and under constant pressure; offers organ music performed from Bach's own m...(more details)
 
The Story of the Carol

Christmas carols originated in dances that date back to the seventh century. This program traces the progress of carols from their pagan beginnings, through the first printed carol in 1521, their condemnation by the Puritans, to their Victorian reviv...(more details)
 
Johann Sebastian Bach: The St. Matthew Passion

Filmed at St. Thomas Church in Leipzig, where Bach himself was the organist; the placement of choirs makes Bach's choral intentions clear in a way no recording or concert performance can. With Regina Werner, Rosemarie Lang, Peter Schreier, Siegfried ...(more details)
 
J.S. Bach: Magnificat for Solo, Chorus, and Orchestra, BWV 243
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Filmed at the 800-year-old Church of St. Nicholas in Leipzig. Performed by Heidi Riess, Peter Schreier, Gothart Stier, and the New Bach Collegium Maximum. (34 minutes)(more details)
 


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