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This extraordinarily lucid portrait of John Adams focuses on the composer and on a performance of Harmonium, the massive setting for chorus and orchestra of three poems on aspects of love: John Donne’s "Negative Love" and Emily Dickinson’s "Because I could not stop for Death" and "Wild Nights." The program juxtaposes Adams’s very articulate analysis of his own work with conductor Simon Rattle’s rehearsal of Harmonium (with the City of Birmingham Symphony Orchestra). Rattle glows with enthusiasm about the sweep and meaning and the importance of the piece. We see Amherst and the sites connected with Emily Dickinson, as "Because I could not stop for Death" is read while the music is played. An intensity of experience is produced that is rare for any medium. (52 minutes)



 
    

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Aaron Copland: A Self-Portrait
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Copland himself is the key explicator of his own extraordinary musical career, from piano lessons in Brooklyn and study with Nadia Boulanger, a fling as a wild-eyed modernist, and finally to his preeminence in the American musical world. The program ...(more details)
 
Arnold Schoenberg: My Evolution

With Schoenberg's lecture at UCLA as the narrative track, the musical illustrations he cites, and with photographs, manuscripts, and period footage, this program offers a unique picture of music struggling into the 20th century, of atonality, and of ...(more details)
 
Prokofiev: The Prodigal Son

Here is a breathtaking portrait of one of the 20th century's musical giants, a man who sought to stand aloof from the turbulent events of his time only to be swallowed up and crushed by them. The program offers superb performances of judicious select...(more details)
 
The Development of a Conductor: Simon Rattle on the Record

The history of music is replete with prodigies who grew up to be great composers and/or performers. Here is the story of a Wunderkind who became one of the foremost conductors of our day: who learned the repertoire from avant-garde backward to the ma...(more details)
 
Edward Elgar: Hope and Glory

This program begins with Elgar himself conducting Pomp and Circumstance, and it is surely not his fault that the march has become a cliche. Elgar was far more complicated than that, and a far better composer. This program looks at his life and apprai...(more details)
 


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