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The artist as his own model represented by Dürer's Self-portrait; Rembrandt's Self-portrait as the Apostle Paul; Van Gogh's Self-portrait; Ensor's Self-portrait with Masks; and Vigée-Lebrun's Self-portrait. (50 minutes)



 
    

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Part of the Series : 100 Great Paintings
     


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The Language of Color

One of the basic elements in any artist's vocabulary, color is here presented in the personal languages of Poussin's Adoration of the Golden Calf; Vermeer's The Artist in his Studio; Pollock's Autumn Rhythm; Kandinsky's Improvisation 6; and Gauguin's...(more details)
 
The Magic of Light

How an artist sees light is how he sees the world. Light as represented in Magritte's Domain of Light; Zurbaran's Plate of Lemons, Oranges, and Mug; Caravaggio's Supper at Emmaus; Bonnard's Nude Against the Light; and Rothko's Red, Brown, and Black. ...(more details)
 
Reclining Nude

The icon of human perfection, the reclining nude has become a symbol of femininity as represented in Giorgione's Sleeping Venus; Boucher's Recumbent Nude; Goya's The Naked Maja; Manet's Olympia; and Matisse's Blue Nude. (50 minutes)(more details)
 
The Elements

Earth, air, water, and fire presented at their most grand in Sotatsu's Matsu-shima, Turner's Burning of the Houses of Parliament; Whistler's Nocturne in Black and Gold; Cezanne's Mont Ste. Victoire Seen from Bibemus; and Kokoschka's Bride of the Wind...(more details)
 
Storytelling

The need to pass on one's personal, family, or cultural history is practiced in all cultures, in all countries, and is here represented by Masaccio's The Tribute Money; Carpaccio's The Miracle of the Relic of the True Cross; Rubens' Mercury and Argos...(more details)
 


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