government propaganda
This playlist was created
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Tuesday, March 10, 2009.
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Bill Moyers Journal: Buying the War (87:00)
The Bush administration marketed and sold the war in Iraq to the American people. How and why did the press buy it, and what does that say about the role of journalists in helping the public sort out fact from propaganda? In this program, veteran journalist Bill Moyers, award-winning producer Kathleen Hughes, and their investigative team piece together the reporting and political spin that shaped the public mind prior to, during, and following the 2003 invasion. Exposing the disappearance of a watchdog mentality in mainstream newspaper and TV journalism, the documentary also highlights the work of intrepid Knight Ridder reporters who dug beneath the surface of administration claims—only to be drowned out by the drums of war. Further insight comes from journalists Dan Rather, former anchor of CBS Evening News; Tim Russert of NBC’s Meet the Press; Bob Simon of 60 Minutes; and Walter Isaacson, former chairman of CNN. (87 minutes)
Onward to the Shining Future: Animation and the Big Soviet Lie (152:00)
Soviet film studios worked hard to portray their government’s system as idyllic and forward-looking. This program showcases animated films designed to promote that utopian vision. Soviet Toys, the earliest known example of Soviet animation, condemns Lenin’s New Economic Policy; The Victorious Destination celebrates the achievements of Stalin’s first five-year plan; Samoyed Boy praises the Soviet educational system and the casting-off of antiquated traditions; and Hot Stone, Music Box, and Songs of the Years of Fire rejoice over the passing of Czarist imperialism and the establishment of a new, benevolent society. Eleven films total, plus commentary from Russian State Film School professor Igor Kokarev, political cartoonist Boris Yefimov, and director/animator Fyodor Khitruk. (152 minutes) Portions are in Russian with English subtitles.
Fascist Barbarians: Soviet Animation vs. Nazi Tyranny (140:00)
Hitler’s invasion of Russia and Germany’s post-WWII partition inspired a great deal of animated Soviet propaganda. This program presents short films that disparage fascist aggression and America’s supposed continuation of it. Fascist Boots and Cinema Circus vilify Hitler and the Nazi invaders; A Lesson Not Learned plays on Russian fears of a reunited, vengeful, and American-supported Germany; and Vasilok, The Adventures of the Young Pioneers, and Pioneer’s Violin are stories about brave and loyal Soviet children encountering and standing up to fascism. Fourteen films total, plus commentary from Russian State Film School professor Igor Kokarev, writer and cultural historian Vladimir Paperny, and actor/producer Oleg Vidov. (140 minutes) Portions are in Russian with English subtitles.
American Imperialists: Soviet Animation vs. the United States (106:00)
Racism, unemployment, aggression, excess—the USSR’s animation studios frequently took aim at these aspects of American culture. Representing five decades of animated Soviet propaganda, this program features short films that blast the United States and its perceived evils. Black and White and Mister Twister extol the absence of bigotry in Soviet society, while Someone Else’s Voice portrays jazz as an enemy of the people. Ave Maria condemns America’s presence in Vietnam and the influence of the Catholic church, and The Shooting Range underscores the violence behind economic and class divisions. Seven films total, plus commentary from Russian State Film School professor Igor Kokarev, director/artist Vladimir Tarasov, and Dr. Sonia Marshak, great-granddaughter of the acclaimed Soviet poet. (106 minutes) Portions are in Russian with English subtitles.
Bill Moyers Journal: Buying the War (87:00)
The Bush administration marketed and sold the war in Iraq to the American people. How and why did the press buy it, and what does that say about the role of journalists in helping the public sort out fact from propaganda? In this program, veteran journalist Bill Moyers, award-winning producer Kathleen Hughes, and their investigative team piece together the reporting and political spin that shaped the public mind prior to, during, and following the 2003 invasion. Exposing the disappearance of a watchdog mentality in mainstream newspaper and TV journalism, the documentary also highlights the work of intrepid Knight Ridder reporters who dug beneath the surface of administration claims—only to be drowned out by the drums of war. Further insight comes from journalists Dan Rather, former anchor of CBS Evening News; Tim Russert of NBC’s Meet the Press; Bob Simon of 60 Minutes; and Walter Isaacson, former chairman of CNN. (87 minutes)
War Spin: The Media and the Iraq War (46:00)
Some stories are simply too good to be true. In this program, John Kampfner, political editor for the New Statesman (London), skewers heroic reports of the ambush, capture, and rescue of Private Jessica Lynch, calling them misrepresentations designed to bolster wavering support for the Iraq War. Kampfner also scrutinizes the controversial practice of embedding members of the news media in military units and questions the sincerity and overall informational value of the daily CentCom briefings in Doha. An ideal springboard for discussions about propaganda, media ethics, and journalism in the modern combat zone. Original BBCW broadcast title: War Spin. (46 minutes)